搜索到与 “法国” 相关的 “” 条结果
-
冈特家族：伏地魔起源
-
冈特家族：伏地魔起源
- 主演：
马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Ana?s,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Ana?s,Parello,Eléonore,Sarrazin,Axel,Baille
- 导演：
乔里斯·福肯·格里莫德
- 分类：
剧情
- 地区：法国
- 年份：
2021
- 更新：2026-04-18 03:10:45
- 简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins. The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book ? Harry Potter and the Half-Blood Prince ?. It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros. Made by fans for fans.
-
查看详情
-
再见，孩子们
-
再见，孩子们
- 主演：
加斯帕·曼尼斯,拉斐尔·费伊特,弗朗辛·拉塞特,斯坦尼斯拉斯·卡雷·德·马尔博格,菲利普·莫里尔-热努,弗朗索瓦·贝莱昂,弗朗索瓦·尼格雷特,彼得·菲茨,伊莲娜·雅各布,阿诺·翁利叶,勒内·布洛克,Pascal,Rivet,Beno?t,Henriet,Richard,Leboeuf,Xavier,Legrand,Jean-Sébastien,Chauvin,Luc,Etienne
- 导演：
路易·马勒
- 分类：
剧情
- 地区：法国
- 年份：
1987
- 更新：2026-04-18 03:10:45
- 简介：二战末期，德国的反犹政策还在坚定不移地推行着。来自马赛的犹太孩子波奈特（拉法艾丽·弗托Raphael Fejt? 饰）因此家破人亡，被送到法国的学校念书。在这里，他一直小心翼翼的保守着他的秘密，但还是因为新生的关系常常遭到同学戏弄。其中就有法国有钱家庭出身的朱利安（加斯帕尔·马奈斯Gaspard Manesse 饰）。 朱利安和波奈特成为了室友，在共同相处的日子里，朱利安发现，这个经常被欺负的男孩有着跟自己志趣相投的一面。两人的关系渐渐融洽，成了童年要好的伙伴。当朱利安从种种迹象猜测出波奈特的犹太人背景时，他没有疏远波奈特，而且还帮忙隐藏这个秘密。也许在孩子的心中，政治世界在真挚的友谊面前显得太过渺小。 然而，大人的魔掌还是侵入了波奈特的人生，保护犹太孩子的神父和波奈特都被出卖了……
-
查看详情
-
内地1929
-
内地1929
- 主演：
Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
- 导演：
让·雷诺阿,Jean,Renoir
- 分类：
剧情
- 地区：法国
- 年份：
1929
- 更新：2026-04-18 03:10:41
- 简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
-
查看详情
-
关于在短时间内的某几个人的经过
-
关于在短时间内的某几个人的经过
- 主演：
- 导演：
居伊·德波
- 分类：
剧情
- 地区：法国
- 年份：
1959
- 更新：2026-04-18 03:10:41
- 简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...? Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
-
查看详情
-
关于我家的一切
-
关于我家的一切
- 主演：
- 导演：
阿兰·乌盖托
- 分类：
剧情
- 地区：法国
- 年份：
2022
- 更新：2026-04-18 03:10:41
- 简介：暂无简介
-
查看详情
-
其他
-
其他
- 主演：
胡立欧·查韦斯,玛莉亚·奥内托,María,Ucedo,Inés,Molina,Arturo,Goetz
- 导演：
艾瑞尔·罗特
- 分类：
剧情
- 地区：法国
- 年份：
2007
- 更新：2026-04-18 03:10:36
- 简介：2007柏林电影节评审团奖。 讲述一个变换身份的神秘人的故事。像往常一样，某天去另一个国家出差，却变成了另一段旅程的开始：当他到达他的目的地时，Juan Desouza发现他身边一位男子已经死亡。鬼使神差的，像进入一个游戏世界一样，他决定用这个人的身份，为自己找一份工作，找一个地方栖身，并且不希望回到过去的生活。 在他的这种新生活里，在可能的状态下，在没有目的的情况下，这个男人开始了一段探寻本性的冒险。为了重新发现他的人生观，他用自己最基本的本能，试图领悟他对生活的理解。对他来说，他选择什么生活，他为什么活着，绝不是只有一种可能。 此片由德法与阿根廷合拍，艾瑞尔-罗特为阿根廷青年导演兼编剧，继2001年推出《Sólo por hoy》(生活在他方)后，此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾凭借在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身)，在巴拿马影展中获得最佳女演员奖，该片堪称八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
-
查看详情
-
白牙
-
白牙
- 主演：
拉斐尔·佩尔索纳,维尔日妮·埃菲拉,多米尼克·皮侬,弗朗兹·康菲艾克,克莱尔·巴拉达特,劳伦特·纳忒拉,尼克·奥弗曼,拉什达·琼斯,保罗·吉亚玛提,史蒂芬·克雷默·格利克曼,艾迪·斯皮尔斯,弗卢拉·博格,大卫·博特,汤姆·莫顿
- 导演：
亚历山大·埃斯皮加雷斯
- 分类：
欧美动漫
- 地区：法国
- 年份：
2018
- 更新：2026-04-18 03:10:36
- 简介：故事的主角是一只名叫白牙（尼克·奥弗曼 Nick Offerman 配音）的狼，它自幼生长在弱肉强食的世界之中，早已经习惯了其中的尔虞我诈。长大之后，母亲将白牙带回了主人身边——一位善良强壮的印第安人，就这样，白牙有了一份拉雪橇的工作，日子在平静中一天一天的过去了。 然而，拮据的经济让主人不得不将白牙卖给了一个名为史密斯的男人，史密斯满肚子坏水，丝毫没有仁爱之心，只想着怎样榨取利益，在史密斯的调教之下，白牙成为了一匹斗狼，用自己的鲜血为史密斯换取金钱。幸运的是，白牙很快就遇见了自己的新主人斯科特，斯科特用爱和关怀渐渐治愈了白牙受伤的心灵。
-
查看详情
-
漫漫北寻路
-
漫漫北寻路
- 主演：
克丽丝塔·特瑞特,费奥多尔·阿特金,安东尼·希克林,卢瓦克·乌德雷,克洛伊·唐,托马斯·萨果斯,安德丽·萨宾,雷米·卡里比特
- 导演：
雷米·沙耶
- 分类：
欧美动漫
- 地区：法国
- 年份：
2015
- 更新：2026-04-18 03:10:26
- 简介：19世纪末，一位俄罗斯姑娘为了追寻作为极地科学和探险家的祖父的足迹，而毅然决然地放弃父母安排的婚礼，踏上冒险征程！
-
查看详情
-
六个无价值的片段
-
六个无价值的片段
- 主演：
Danièle,Huillet,Jean-Marie,Straub
- 导演：
Pedro,Costa,Thierry,Lounas
- 分类：
剧情
- 地区：法国
- 年份：
2001
- 更新：2026-04-18 03:10:26
- 简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
-
查看详情
-
全职
-
全职
- 主演：
劳尔·卡拉米,Anne,Suarez,杰纳维夫·马尼奇,Nolan,Arizmendi,Sasha,Lemaitre,Cremaschi,西里尔·奎伊,露西·加洛,Agathe,Dronne,Mathilde,Weil,Dana,Fiaque,Mareme,N'Diaye,Olivier,Faliez,伊琳娜·穆雷勒,Aymeline,Alix,Carima,Amarouche
- 导演：
埃里克·格拉韦尔
- 分类：
剧情
- 地区：法国
- 年份：
2021
- 更新：2026-04-18 03:10:12
- 简介：朱莉在巴黎一家豪华酒店打工，工作非常辛苦，还要努力照顾在乡下的两个孩子。后来，她得到了一个期待已久的工作面试机会，但一场全国性的罢工爆发了，导致公共交通系统陷入瘫痪。一直以来，朱莉努力在生活中维系着一种平衡，而这种脆弱的平衡被突发事件所打破。为了得偿所愿，她冒着随时都会碰壁乃至失去一切的风险，开始了一场与时间的疯狂赛跑。
-
查看详情